a blue planet

We can't put it together.
 
It is together.

The title WHOLE EARTH CATALOG came from a previous project by Stewart Brand. In 1966, he initiated a public campaign to have NASA release the then-rumored satellite photo of the sphere of Earth as seen from space, the first image of the "Whole Earth." He thought the image might be a powerful symbol, evoking a sense of shared destiny and adaptive strategies from people. The Stanford-educated Brand, a biologist with strong artistic and social interests, believed that there was a groundswell of commitment to thoroughly renovating American industrial society along ecologically and socially just lines, whatever they might prove to be.

J. Baldwin was a young designer and instructor of design at colleges around the San Francisco Bay (San Francisco State University [then San Francisco State College], the San Francisco Art Institute, and the California College of the Arts [then California College of Arts and Crafts]). As he recalled in the film Ecological Design (1994):
"Stewart Brand came to me because he heard that I read catalogs. He said, 'I want to make this thing called a "whole Earth" catalog so that anyone on Earth can pick up a telephone and find out the complete information on anything. ... That's my goal.'" 
Baldwin served as the chief editor of subjects in the areas of technology and design, both in the catalog itself and in other publications which arose from it.

True to his 1966 vision, Brand's publishing efforts were suffused with an awareness of the importance of ecology, both as a field of study and as an influence upon the future of humankind and emerging human awareness.


 

Applications Technology Satellite 3, or ATS-3, was a long-lived American experimental geostationary weather and communications satellite, operated by NASA from 1967 to 2001. It was at one time reputed to be the oldest satellite still in operation; As of 1995, NASA referred to the ATS-3 as "The oldest active communications satellite by a wide margin."

On November 10, 1967, ATS-3 took the first color photo of the Earth, which was subsequently used on the cover of the first Whole Earth Catalog.
 
 
The 1968 catalog divided itself into seven broad sections:     
Understanding Whole Systems     
Shelter and Land Use     
Industry and Craft     
Communications     
Community     
Nomadics     
Learning 

Within each section, the best tools and books the editors could find were collected and listed, along with images, reviews and uses, prices, and suppliers. The reader was also able to order some items directly through the catalog. Later editions changed a few of the headings, but generally kept the same overall framework.

From the opening page of the 1969 Catalog:
 

The WHOLE EARTH CATALOG functions as an evaluation and access device. With it, the user should know better what is worth getting and where and how to do the getting. 

An item is listed in the CATALOG if it is deemed: 
Useful as a tool,       
Relevant to independent education, 
High quality or low cost, 
Not already common knowledge, 
Easily available by mail. 

CATALOG listings are continually revised according to the experience and suggestions of CATALOG users and staff.

The Spring 1969 CATALOG Cover 

Earthrise is a photograph of Earth and parts of the Moon's surface that was taken from lunar orbit by astronaut Bill Anders in 1968, during the Apollo 8 mission and selected as an iconic image for the WHOLE EARTH CATALOG.
 

This image presented inhabitants of the planet Earth with a view of the world from space, a blue planet rising over a new horizon, only seen before in the crude 1966 black-and-white raster image taken by the Lunar Orbiter 1 robotic probe.   Nature photographer Galen Rowell declared it:
"the most influential environmental photograph ever taken".
When LIFE determined that "a collection of pictures that 'changed the world' is a thing worth contemplating, if only to arrive at some resolution about the influential nature of photography and whether it is limited, vast or in between," it was the Earthrise photograph that was used on the front cover.


Pictures nominated by the public were reviewed by editors who then compiled 100 photographs that they felt portrayed technological photographic achievements, documented historic events and accomplishments or have achieved iconic cultural and, symbolic status.





The Catalog's publication coincided with a great wave of convention-challenging experimentalism and a do-it-yourself attitude associated with "the counterculture," and tended to appeal not only to the intelligentsia of the movement, but to creative, hands-on, and outdoorsy people of many stripes. Some of the ideas in the Catalog were developed during Brand's visits to Drop City.

With the Catalog opened flat, the reader might find the large page on the left full of text and intriguing illustrations from a volume of Joseph Needham's Science and Civilization in China, showing and explaining an astronomical clock tower or a chain-pump windmill, while on the right-hand page are a review of a beginners' guide to modern technology (The Way Things Work) and a review of The Engineers' Illustrated Thesaurus. On another spread, the verso reviews books on accounting and moonlighting jobs, while the recto bears an article in which people tell the story of a community credit union they founded. Another pair of pages depict and discuss different kayaks, inflatable dinghies, and houseboats.


After 1972 the catalog was published sporadically. Updated editions of The Last Whole Earth Catalog appeared periodically from 1971 to 1975, but only a few fully new catalogs appeared. In 1974 the Whole Earth Epilog was published, which was intended as a "volume 2" to the Last Whole Earth Catalog. In 1980, The Next Whole Earth Catalog was published; it was so well received that an updated second edition was published in 1981.

There were two editions in the 1980s of the Whole Earth Software Catalog, a compendium for which Doubleday had bid $1.4 million for the trade paperback rights.

Steve Jobs compared The Whole Earth Catalog to Internet search engine Google in his June 2005 Stanford University commencement speech. "When I was young, there was an amazing publication called The Whole Earth Catalog, which was one of the bibles of my generation ... It was sort of like Google in paperback form, 35 years before Google came along. It was idealistic and overflowing with neat tools and great notions." During the commencement speech, Jobs also quoted the farewell message placed on the back cover of the 1974 edition of the Catalog:

"Stay hungry. Stay foolish."




James Tennant Baldwin, who was editing the CATALOG from the beginning (May 6, 1933 – March 2, 2018) was an American industrial designer and writer. Significantly, Baldwin was a student of Buckminster Fuller; Baldwin's work was inspired by Fuller's principles and (in the case of some of Baldwin's published writing) he popularized and interpreted Fuller's ideas and achievements. In his own right, Baldwin was a figure in American designers' efforts to incorporate solar, wind, and other renewable sources of energy. In his career, being a fabricator has been as important as being a designer. Baldwin is noted as the inventor of the "Pillow Dome," a design that combines Buckminster Fuller's geodesic dome with panels of inflated ETFE plastic panels.


Access to Tools
MoMA.org














An archive of publications of the WHOLE EARTH CATALOG 1968 - 1974